Posters
have been used frequently for over 100 years as a way to advertise
products, films, festivals, musical events, political candidates, and for
propaganda purposes.
Posters
came into vogue during the late 19th century as a form of cheap
advertising. Throughout the years, the poster has echoed
the changes in our society and the way we do business by romanticizing, and sometimes mirroring, our attitudes and interests.
Lithograph Stone |
The
lithograph was the forerunner of the poster. It was developed in 1798, but
was far too expensive to produce and took too much time to print to be used as a
regular means of advertising. The lithograph struggled along until the 1870s when
Jules Cheret developed a stone lithographic process consisting of three colors: red, yellow, and blue, which, when mixed together, offered a spectrum of
intense colors. This process made the poster something that could be mass-produced at an affordable price. Suddenly
the poster was embraced for commercial purposes in Europe and the U.S.
The
major cities in Europe understood how to utilize the poster
by including images and colors that would interest and entice the viewer. In 1891, the
Moulin-Rouge poster, created by Toulouse-Lautrec, raised the status of the poster
to an art form. By the end of the 19th century, the Arts and Crafts
Movement, along with Art Nouveau style, dominated poster designs. These were the
posters which featured wine prominently, namely Champagne, along with other alcoholic beverages.
Leonetto Cappielllo |
Poster
art changed again in 1901 when Leonetto Cappiello scorned Art Nouveau’s
intricate style and opted instead for a simple image that captured the viewer’s
eye. With the start of WWI, posters took
on a different use – propaganda; this became the biggest advertising campaign that
had ever been attempted. Posters encouraged men to sign up for the service, urged people to support the
war funds, boosted morale and fueled indignation against the enemy. In American
alone, over 20-million posters were printed during the war. The U.S. had begun
to grasp the idea that enticing images and vivid colors sold products and campaigns better
than massive amounts of text.
A.M. Cassandre |
After
the war, Modernism took hold of the country, and in 1923 the first Art Deco poster,
designed by Adolphe Mouron Cassandre, appeared. His modern style touted
travel, wine, liquors and fashion. Cassandre’s ideas were embraced and he led the
poster market with his designs for several decades. But Cassandre was not alone;
poster designers throughout the world were crafting Art Deco posters that
promoted the sleek, modern structures and forms that made Art Deco appealing.
With
World War II came another chance for posters to
gain recognition across the
world, but this time posters shared the stage with other
media: radio and newspapers. Stone lithography was being replaced with a
process known as photo offset (using a dot pattern that made up the image), and
actual photos were becoming more accepted on posters. The pin-up poster became a morale booster to the servicemen of WWII since society had loosened it’s
morals, and “real” images were now in vogue.
Betty Grable |
After
the war, a more informal approach to advertising began. Images were borrowed
from Pop Art and Surrealism as we made our way into the “Brave New World" of the
1950s, and into the social upheaval of the 1960s. The computer age unleashed
advances in poster designs that had not been considered before. By the 1980s, designing
and printing a poster was something anyone could do in their home or office. Images went
from cutting edge to modern to a more retro look and could be changed at a moment's notice.
While
the poster has evolved, it is not nearly as popular as it was
from the 1910s through 1940s. Our manner of social interaction has changed
dramatically, and the media have also changed our way of receiving information
throughout the world. Posters are still a go-to form of advertising for
festivals, theatre programs and political campaigns, but sadly not so much for wine and liquor, which means those nostalgic posters from the past should be regaled
and treasured even more.
~ Joy
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